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  • « GW BOT, The Long Paddock, A 30 year survey
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Judith White, Transfusion (detail), 2012, mixed media on canvas, 242 x 530cm (5 panels each 242 x 90cm), photo: Michel Brouet

Judith White, Transfusion (detail), 2012, mixed media on canvas, 242 x 530cm (5 panels each 242 x 90cm), photo: Michel Brouet

perfusion: HMRI artist in residence Judith White

November 16, 2012 — January 19, 2013

Free
Judith White, Transfusion (detail), 2012, mixed media on canvas, 242 x 530cm (5 panels each 242 x 90cm), photo: Michel Brouet

Judith White, Transfusion (detail), 2012, mixed media on canvas, 242 x 530cm (5 panels each 242 x 90cm), photo: Michel Brouet

As a title for an exhibition the word perfusion aptly combines the arena of art practice with the world of medical research. The term can refer to the diffusion of liquid or colour and also more pertinent to medical science, the direction or flow of liquids and dyes through the organs of the human body.

The linking factor for the artist was the notion of the human body, both in the wider context of landscape and the natural environment, and the internal landscape; the world within the human body.

Natural forces flow though and are part of human form with a random sense of construction and destruction. Paintings are imbued with sense of generational flow, the human connection to natural elements such as land, earth and sky, and the inner and emotional worlds of mind and matter.

 As a title for an exhibition the word perfusion aptly combines the arena of art practice with the world of medical research. The term can refer to the diffusion of liquid or colour and also more pertinent to medical science, the direction or flow of liquids and dyes through the organs of the human body.

The linking factor for the artist was the notion of the human body, both in the wider context of landscape and the natural environment, and the internal landscape; the world within the human body.

Natural forces flow though and are part of human form with a random sense of construction and destruction. Paintings are imbued with sense of generational flow, the human connection to natural elements such as land, earth and sky, and the inner and emotional worlds of mind and matter.

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Details

Start:
November 16, 2012
End:
January 20, 2013
Cost:
Free
Event Category:
Exhibitions

Venue

Maitland Regional Art Gallery
230 High Street
MAITLAND, New South Wales 2320 Australia
Phone:
02 4934 9859

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  • « GW BOT, The Long Paddock, A 30 year survey
  • Follow the Silence: Installations by Lezlie Tilley and Patricia Wilson-Adams »
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  • Gallery Details

    Art Gallery & Shop Trading Hours
    Tuesday – Sunday, 10.00am – 5.00pm

    Address 230 High Street,
    PO Box 220 Maitland NSW 2320
    Phone 02 4934 9859
    Email artgallery@nullmaitland.nsw.gov.au

    Café Seraphine
    Tuesday – Sunday, 8.00am – 3.00pm
    Phone
    02 4934 7264

    We acknowledge the Wonnarua People as the Traditional Owners and Custodians of the land upon which MRAG stands.

  • Maitland City Council Maitland City Council
    Maitland Regional Art Gallery is a service of Maitland City Council and is supported by the NSW Government through Create NSW.
  • Visit Us
    • How to get here
    • Café
    • Shop
    • Venue hire
  • Exhibitions
    • Current & Future Exhibitions
    • Touring Exhibitions
    • Past Exhibitions
    • The Art Factory
    • Exhibition proposals
  • What’s On
    • All Events
    • For Adults
    • For Kids
    • Past Events
  • MRAG from Home
    • See: at home
    • Make: at home
    • Do: at home
  • Learn
    • Creative Learning
    • Schools
    • Collection
  • Support Us
    • Become a member
    • MRAGM committee
    • Artel magazine
    • MRAG volunteers
    • Sponsors, Patrons, Partners & Donors
  • About
    • History
    • Staff Contacts
    • Awards
    • #mymaitland
    • Using this website
  • Feedback
  • Join our e-lists
  • Become a member

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