Array ( [image] => Array ( [ID] => 52253 [id] => 52253 [title] => Ron Mueck, Pregnant woman, 2002 fibreglass, silicone, polyester resin, oil paint, fibres National Gallery of Australia, Kamberri/Canberra, purchased with the assistance of Tony and Carol Berg 2003. © Ron Mueck courtesy the artist and Thaddaeus Ropac Gallery, London. [filename] => 122875_e_pm-Design-Copy-Imaging-Pubs-Use-Only-extended-BG-1-scaled.jpg [filesize] => 127030 [url] => https://mrag.org.au/wp-content/uploads/2024/04/122875_e_pm-Design-Copy-Imaging-Pubs-Use-Only-extended-BG-1-scaled.jpg [link] => https://mrag.org.au/sample-page/122875_e_pm-design-copy-imaging-pubs-use-only-extended-bg-2/ [alt] => [author] => 4 [description] => Ron Mueck, Pregnant woman, 2002 fibreglass, silicone, polyester resin, oil paint, fibres National Gallery of Australia, Kamberri/Canberra, purchased with the assistance of Tony and Carol Berg 2003. © Ron Mueck courtesy the artist and Thaddaeus Ropac Gallery, London. [caption] => Ron Mueck, Pregnant woman, 2002 fibreglass, silicone, polyester resin, oil paint, fibres National Gallery of Australia, Kamberri/Canberra, purchased with the assistance of Tony and Carol Berg 2003. © Ron Mueck courtesy the artist and Thaddaeus Ropac Gallery, London. [name] => 122875_e_pm-design-copy-imaging-pubs-use-only-extended-bg-2 [status] => inherit [uploaded_to] => 2 [date] => 2024-04-11 04:36:34 [modified] => 2024-04-11 04:36:53 [menu_order] => 0 [mime_type] => image/jpeg [type] => image [subtype] => jpeg [icon] => https://mrag.org.au/wp-includes/images/media/default.png [width] => 2560 [height] => 1080 [sizes] => Array ( [thumbnail] => https://mrag.org.au/wp-content/uploads/2024/04/122875_e_pm-Design-Copy-Imaging-Pubs-Use-Only-extended-BG-1-150x150.jpg [thumbnail-width] => 150 [thumbnail-height] => 150 [medium] => https://mrag.org.au/wp-content/uploads/2024/04/122875_e_pm-Design-Copy-Imaging-Pubs-Use-Only-extended-BG-1-380x160.jpg [medium-width] => 380 [medium-height] => 160 [medium_large] => https://mrag.org.au/wp-content/uploads/2024/04/122875_e_pm-Design-Copy-Imaging-Pubs-Use-Only-extended-BG-1-768x324.jpg [medium_large-width] => 768 [medium_large-height] => 324 [large] => https://mrag.org.au/wp-content/uploads/2024/04/122875_e_pm-Design-Copy-Imaging-Pubs-Use-Only-extended-BG-1-800x800.jpg [large-width] => 800 [large-height] => 800 [1536x1536] => https://mrag.org.au/wp-content/uploads/2024/04/122875_e_pm-Design-Copy-Imaging-Pubs-Use-Only-extended-BG-1-1536x648.jpg [1536x1536-width] => 1536 [1536x1536-height] => 648 [2048x2048] => https://mrag.org.au/wp-content/uploads/2024/04/122875_e_pm-Design-Copy-Imaging-Pubs-Use-Only-extended-BG-1-2048x864.jpg [2048x2048-width] => 2048 [2048x2048-height] => 864 [carousel] => https://mrag.org.au/wp-content/uploads/2024/04/122875_e_pm-Design-Copy-Imaging-Pubs-Use-Only-extended-BG-1-1600x675.jpg [carousel-width] => 1600 [carousel-height] => 675 [landing_tile] => https://mrag.org.au/wp-content/uploads/2024/04/122875_e_pm-Design-Copy-Imaging-Pubs-Use-Only-extended-BG-1-800x270.jpg [landing_tile-width] => 800 [landing_tile-height] => 270 [list_tile] => https://mrag.org.au/wp-content/uploads/2024/04/122875_e_pm-Design-Copy-Imaging-Pubs-Use-Only-extended-BG-1-500x350.jpg [list_tile-width] => 500 [list_tile-height] => 350 [banner] => https://mrag.org.au/wp-content/uploads/2024/04/122875_e_pm-Design-Copy-Imaging-Pubs-Use-Only-extended-BG-1-1600x675.jpg [banner-width] => 1600 [banner-height] => 675 ) ) [image_f] => [caption] => Ron Mueck, Pregnant woman, 2002 fibreglass, silicone, polyester resin, oil paint, fibres National Gallery of Australia, Kamberri/Canberra, purchased with the assistance of Tony and Carol Berg 2003. © Ron Mueck courtesy the artist and Thaddaeus Ropac Gallery, London. )

Array ( [image] => Array ( [ID] => 52960 [id] => 52960 [title] => Still image from the work Temple, 2022  Collaboration: Leila Jeffreys x Melvin J. Montalban. Digital work. Multi-Channel, Continuous loop 6 minutes 26 seconds. Leila Jeffreys is represented by Olsen Gallery, Gadigal/Sydney [filename] => TEMPLE_STILL01_Black-web.jpg [filesize] => 446871 [url] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web.jpg [link] => https://mrag.org.au/exhibition/twitcher/temple_still01_black-web/ [alt] => Still image from the work Temple, 2022  Collaboration: Leila Jeffreys x Melvin J. Montalban. Digital work. Multi-Channel, Continuous loop 6 minutes 26 seconds. Leila Jeffreys is represented by Olsen Gallery, Gadigal/Sydney [author] => 4 [description] => Still image from the work Temple, 2022  Collaboration: Leila Jeffreys x Melvin J. Montalban. Digital work. Multi-Channel, Continuous loop 6 minutes 26 seconds. Leila Jeffreys is represented by Olsen Gallery, Gadigal/Sydney [caption] => Still image from the work Temple, 2022  Collaboration: Leila Jeffreys x Melvin J. Montalban. Digital work. Multi-Channel, Continuous loop 6 minutes 26 seconds. Leila Jeffreys is represented by Olsen Gallery, Gadigal/Sydney [name] => temple_still01_black-web [status] => inherit [uploaded_to] => 51529 [date] => 2024-10-02 00:24:27 [modified] => 2024-10-02 00:25:20 [menu_order] => 0 [mime_type] => image/jpeg [type] => image [subtype] => jpeg [icon] => https://mrag.org.au/wp-includes/images/media/default.png [width] => 1600 [height] => 900 [sizes] => Array ( [thumbnail] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-150x150.jpg [thumbnail-width] => 150 [thumbnail-height] => 150 [medium] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-380x214.jpg [medium-width] => 380 [medium-height] => 214 [medium_large] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-768x432.jpg [medium_large-width] => 768 [medium_large-height] => 432 [large] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-800x800.jpg [large-width] => 800 [large-height] => 800 [1536x1536] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-1536x864.jpg [1536x1536-width] => 1536 [1536x1536-height] => 864 [2048x2048] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web.jpg [2048x2048-width] => 1600 [2048x2048-height] => 900 [carousel] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-1200x675.jpg [carousel-width] => 1200 [carousel-height] => 675 [landing_tile] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-800x270.jpg [landing_tile-width] => 800 [landing_tile-height] => 270 [list_tile] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-500x350.jpg [list_tile-width] => 500 [list_tile-height] => 350 [banner] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web.jpg [banner-width] => 1600 [banner-height] => 900 ) ) [image_f] => Array ( [id] => 52960 [focus_point] => Array ( [class] => js-focus-point-image [top] => 0.47 [left] => 0.35 [right] => 0.41 [bottom] => 0.55 ) [alt] => Still image from the work Temple, 2022  Collaboration: Leila Jeffreys x Melvin J. Montalban. Digital work. Multi-Channel, Continuous loop 6 minutes 26 seconds. Leila Jeffreys is represented by Olsen Gallery, Gadigal/Sydney [title] => Still image from the work Temple, 2022  Collaboration: Leila Jeffreys x Melvin J. Montalban. Digital work. Multi-Channel, Continuous loop 6 minutes 26 seconds. Leila Jeffreys is represented by Olsen Gallery, Gadigal/Sydney [caption] => Still image from the work Temple, 2022  Collaboration: Leila Jeffreys x Melvin J. Montalban. Digital work. Multi-Channel, Continuous loop 6 minutes 26 seconds. Leila Jeffreys is represented by Olsen Gallery, Gadigal/Sydney [description] => Still image from the work Temple, 2022  Collaboration: Leila Jeffreys x Melvin J. Montalban. Digital work. Multi-Channel, Continuous loop 6 minutes 26 seconds. Leila Jeffreys is represented by Olsen Gallery, Gadigal/Sydney [mime_type] => image/jpeg [url] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web.jpg [width] => 1600 [height] => 900 [sizes] => Array ( [thumbnail] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-150x150.jpg [thumbnail-width] => 150 [thumbnail-height] => 150 [medium] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-380x214.jpg [medium-width] => 380 [medium-height] => 214 [medium_large] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-768x432.jpg [medium_large-width] => 768 [medium_large-height] => 432 [large] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-800x800.jpg [large-width] => 800 [large-height] => 800 [1536x1536] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-1536x864.jpg [1536x1536-width] => 1536 [1536x1536-height] => 864 [2048x2048] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web.jpg [2048x2048-width] => 1600 [2048x2048-height] => 900 [carousel] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-1200x675.jpg [carousel-width] => 1200 [carousel-height] => 675 [landing_tile] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-800x270.jpg [landing_tile-width] => 800 [landing_tile-height] => 270 [list_tile] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web-500x350.jpg [list_tile-width] => 500 [list_tile-height] => 350 [banner] => https://mrag.org.au/wp-content/uploads/2024/01/TEMPLE_STILL01_Black-web.jpg [banner-width] => 1600 [banner-height] => 900 ) ) [caption] => Still image from the work Temple, 2022 Collaboration: Leila Jeffreys x Melvin J. Montalban. Digital work. Multi-Channel, Continuous loop 6 minutes 26 seconds. Leila Jeffreys is represented by Olsen Gallery, Gadigal/Sydney )

Array ( [image] => Array ( [ID] => 51598 [id] => 51598 [title] => Robert Fielding, photo: Meg Hansen [filename] => DJI_0748-web.jpg [filesize] => 515190 [url] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web.jpg [link] => https://mrag.org.au/exhibition/tjurkurpa-handle-it/dji_0748-web/ [alt] => Robert Fielding, photo: Meg Hansen [author] => 4 [description] => Robert Fielding, photo: Meg Hansen [caption] => Robert Fielding, photo: Meg Hansen [name] => dji_0748-web [status] => inherit [uploaded_to] => 51532 [date] => 2024-01-18 05:06:12 [modified] => 2024-01-18 05:06:44 [menu_order] => 0 [mime_type] => image/jpeg [type] => image [subtype] => jpeg [icon] => https://mrag.org.au/wp-includes/images/media/default.png [width] => 1600 [height] => 899 [sizes] => Array ( [thumbnail] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-150x150.jpg [thumbnail-width] => 150 [thumbnail-height] => 150 [medium] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-380x214.jpg [medium-width] => 380 [medium-height] => 214 [medium_large] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-768x432.jpg [medium_large-width] => 768 [medium_large-height] => 432 [large] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-800x800.jpg [large-width] => 800 [large-height] => 800 [1536x1536] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-1536x863.jpg [1536x1536-width] => 1536 [1536x1536-height] => 863 [2048x2048] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web.jpg [2048x2048-width] => 1600 [2048x2048-height] => 899 [carousel] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-1201x675.jpg [carousel-width] => 1201 [carousel-height] => 675 [landing_tile] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-800x270.jpg [landing_tile-width] => 800 [landing_tile-height] => 270 [list_tile] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-500x350.jpg [list_tile-width] => 500 [list_tile-height] => 350 [banner] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web.jpg [banner-width] => 1600 [banner-height] => 899 ) ) [image_f] => Array ( [id] => 51598 [focus_point] => Array ( [class] => js-focus-point-image [top] => 0.58 [left] => 0.58 [right] => 0.61 [bottom] => 0.61 ) [alt] => Robert Fielding, photo: Meg Hansen [title] => Robert Fielding, photo: Meg Hansen [caption] => Robert Fielding, photo: Meg Hansen [description] => Robert Fielding, photo: Meg Hansen [mime_type] => image/jpeg [url] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web.jpg [width] => 1600 [height] => 899 [sizes] => Array ( [thumbnail] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-150x150.jpg [thumbnail-width] => 150 [thumbnail-height] => 150 [medium] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-380x214.jpg [medium-width] => 380 [medium-height] => 214 [medium_large] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-768x432.jpg [medium_large-width] => 768 [medium_large-height] => 432 [large] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-800x800.jpg [large-width] => 800 [large-height] => 800 [1536x1536] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-1536x863.jpg [1536x1536-width] => 1536 [1536x1536-height] => 863 [2048x2048] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web.jpg [2048x2048-width] => 1600 [2048x2048-height] => 899 [carousel] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-1201x675.jpg [carousel-width] => 1201 [carousel-height] => 675 [landing_tile] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-800x270.jpg [landing_tile-width] => 800 [landing_tile-height] => 270 [list_tile] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web-500x350.jpg [list_tile-width] => 500 [list_tile-height] => 350 [banner] => https://mrag.org.au/wp-content/uploads/2023/12/DJI_0748-web.jpg [banner-width] => 1600 [banner-height] => 899 ) ) [caption] => Robert Fielding, photo: Meg Hansen )