Documentation from the performance A Proxy for a Thousand Eyes (2020) and featured in the video Play Proximus (2020-2021), Image credit: Pamela Pirovic

Array ( [image] => Array ( [ID] => 47541 [id] => 47541 [title] => Documentation from the performance A Proxy for a Thousand Eyes (2020) and featured in the video Play Proximus (2020-2021), Image credit: Pamela Pirovic [filename] => 04_1Q9A9412-scaled.jpg [filesize] => 388074 [url] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-scaled.jpg [link] => https://mrag.org.au/exhibition/touching-and-turning-cherine-fahd/04_1q9a9412/ [alt] => Documentation from the performance A Proxy for a Thousand Eyes (2020) and featured in the video Play Proximus (2020-2021), Image credit: Pamela Pirovic [author] => 4 [description] => [caption] => [name] => 04_1q9a9412 [status] => inherit [uploaded_to] => 47540 [date] => 2022-11-25 05:02:38 [modified] => 2022-11-25 05:03:01 [menu_order] => 0 [mime_type] => image/jpeg [type] => image [subtype] => jpeg [icon] => https://mrag.org.au/wp-includes/images/media/default.png [width] => 2560 [height] => 1707 [sizes] => Array ( [thumbnail] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-150x150.jpg [thumbnail-width] => 150 [thumbnail-height] => 150 [medium] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-380x253.jpg [medium-width] => 380 [medium-height] => 253 [medium_large] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-768x512.jpg [medium_large-width] => 768 [medium_large-height] => 512 [large] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-800x800.jpg [large-width] => 800 [large-height] => 800 [1536x1536] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-1536x1024.jpg [1536x1536-width] => 1536 [1536x1536-height] => 1024 [2048x2048] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-2048x1365.jpg [2048x2048-width] => 2048 [2048x2048-height] => 1365 [carousel] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-1012x675.jpg [carousel-width] => 1012 [carousel-height] => 675 [landing_tile] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-800x270.jpg [landing_tile-width] => 800 [landing_tile-height] => 270 [list_tile] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-500x350.jpg [list_tile-width] => 500 [list_tile-height] => 350 [banner] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-1600x1067.jpg [banner-width] => 1600 [banner-height] => 1067 ) ) [image_f] => Array ( [id] => 47541 [focus_point] => Array ( [class] => js-focus-point-image [top] => 0.50 [left] => 0.43 [right] => 0.50 [bottom] => 0.57 ) [alt] => Documentation from the performance A Proxy for a Thousand Eyes (2020) and featured in the video Play Proximus (2020-2021), Image credit: Pamela Pirovic [title] => Documentation from the performance A Proxy for a Thousand Eyes (2020) and featured in the video Play Proximus (2020-2021), Image credit: Pamela Pirovic [caption] => [description] => [mime_type] => image/jpeg [url] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-scaled.jpg [width] => 2560 [height] => 1707 [sizes] => Array ( [thumbnail] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-150x150.jpg [thumbnail-width] => 150 [thumbnail-height] => 150 [medium] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-380x253.jpg [medium-width] => 380 [medium-height] => 253 [medium_large] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-768x512.jpg [medium_large-width] => 768 [medium_large-height] => 512 [large] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-800x800.jpg [large-width] => 800 [large-height] => 800 [1536x1536] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-1536x1024.jpg [1536x1536-width] => 1536 [1536x1536-height] => 1024 [2048x2048] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-2048x1365.jpg [2048x2048-width] => 2048 [2048x2048-height] => 1365 [carousel] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-1012x675.jpg [carousel-width] => 1012 [carousel-height] => 675 [landing_tile] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-800x270.jpg [landing_tile-width] => 800 [landing_tile-height] => 270 [list_tile] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-500x350.jpg [list_tile-width] => 500 [list_tile-height] => 350 [banner] => https://mrag.org.au/wp-content/uploads/2022/11/04_1Q9A9412-1600x1067.jpg [banner-width] => 1600 [banner-height] => 1067 ) ) [caption] => Cherine Fahd, Documentation from the performance A Proxy for a Thousand Eyes (2020) and featured in the video Play Proximus (2020-2021), Image credit: Pamela Pirovic )

Touching and turning | Cherine Fahd

November 25 2023 — March 31 2024

Burning with the changing realities of the past few years, artist Cherine Fahd explores the nature of touch and intimacy through her participatory performance.

“The camera and a picture, whether moving or still, have the potential to generate intimacy and attachment. I am interested in how making images can motivate us to come together during a crisis.”